Tuesday 15 January 2013

War of the Roses
(1989)

RATING:80%
FORMAT:DVD



A frequently hilarious movie about a marriage on the rocks; showcasing the chemistry between the two leads. the divorce scenarios exemplifies the White way of divorce and the often high degree of acrimony that essentially comes down to blaming the other spouse and trying to quantify the relationship by trying to divvy-up the personal possessions of each.

Where this film fails is in not stressing the materialistic base of most modern Western marriages. It focuses on effects but never tarries long over causes. The childishness of the central characters, while funny, is never analyzed adequately nor is their inherent materialism - the basic cause of their troubles. It also has little say about what makes a marriage happy.

Moreover, the wonderful Marianne SAEGEBRECHT is wasted in a featured role that adds nothing to the themes explored. Kathleen TURNER is as superlatively glamorous as she is eloquently funny about the female genius for both love and revenge. ‘A civilized divorce is a contradiction in terms’.


Copyright © 2013 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

No comments:

Post a Comment

Contact Form:

Name

Email *

Message *

Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.