Wednesday 9 February 2011

Jesus of Nazareth
(1977)


Also Known As:
Unknown
Year:
1977
Countries:
Italy… United Kingdom…
Predominant Genre:
Historical
Director:
Franco Zeffirelli…
Outstanding Performance:
Robert POWELL…
Premiss:
Reverent depiction of the Christian Gospels.
Themes:
Alienation | Christianity | Compassion | Courage | Destiny | Empathy | Friendship | God | Humanity | Identity | Loneliness | Loyalty | Mankind | Materialism | Mercy | Personal change | Redemption | Religion | Self-expression
Similar (in Plot, Theme or Style) to:
The Passion of the Christ (2004)…
Review Format:
DVD

Joy of Narcissism

Summary: Too long for its own good.

Reasonably well-written and intelligent account of the life of The Christ that, while deeply traditional in its telling, manages to be fairly fresh and intriguing.

Robert POWELL offers a winning and signature performance in the role that is hard to beat. However, the exceptionally-strong cast is this tv mini-series’ partial downfall. It is more concerned with its all-star cast, big budget and interminable length (five hours cut down from eight, in this version) than honing the story to its essence. Instead, we have too many stars not given enough time to develop their roles; making them effective bit players.

There is also too much stress on the miracles, themselves, rather than the man who performs them. Yet the quality actors partly overcome this tail-wagging-the-dog nature of the drama that Jesus himself rails against - albeit in a religious context. Miracles have little value in themselves but in what they mean, symbolically, yet they are presented as if their significance derives from their effect not their intention. This partly elides the very complexity of religious discourse - that the series attempts to approach - by simplifying it for dramatic reasons. Yet, such simplicity does not sit well with the length of the material since this very length could have easily afforded a more complex retelling of such a hoary old story.

Jesus’ critique of religiosity is cleverly done in his rightly pointing-out that The sabbath was made for man, and not man for the sabbath, so that any criticism of his good works on a Saturday by the high priests of the Sanhedrin are not only irrelevant but actually irreligious.

This could easily have been an hour even shorter and been just as good, which is a shame because it gets better toward the inevitably-tragic end. Like a delayed rail journey, we could have got there much sooner.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.