Thursday, 17 February 2011

Brother
(2000)

RATING:100%
FORMAT:DVD



Exceptional crime drama about the futility of internecine gang-war violence. At root, the gang culture shown here is a death-worshiping one in which loyalty to an idea of masculinity is more important than masculinity itself or actual masculinity. The characters are appropriately blank and the relationships less than wholesome or satisfying for any of the participants; hence, the need for increasing levels of violence in the vain hope that personal growth can be discovered thereby.

Amid all the carnage there is enough time for subtle and ironic humor - as if the Fates can laugh in between the bloodletting and let us in on what borderline personalities feel they need to do to unwind. Eschewing the car chases and fast editing of US gangster movies, the style is slower and the gore more front and center in this modern stab at a more contemporary Godfather. This time without glamorizing its subject-matter. It does this by visually abstracting its theme of people only possessing a sense of honor through sacrifice.

An existential thriller to beat the best of Jean-Pierre Melville and Walter Hill, this is matter-of-fact drama with extensive use of tableaux vivants to emphasize the sense of a still life lived in aspic.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.