Sunday 27 November 2016

椿三十郎

RATING:60%
FORMAT:DVD

[Tsubaki Sanjûrô;
Sanjuro]

Comic sequel to Kurosawa’s previous Yojimbo. The clownish thirty year old ronin (Toshiro Mifune) returns to teach neophyte swordsmen how to use their heads as well as their weapons – with lethal expertise.

Well bred court ladies insisting on genteel manners – no matter the danger – is funny, as is the captured enemy warrior finding his loyalty shifting towards his captors, despite himself.

This movie attacks social conformity since most of the characters wish to do as they please yet insist on a strong man to lead them. This leads them to simplistically judge by appearances and fall into rather obvious military traps out of sheer political naivety.

Ultimately, everything about this film is simple and straightforward – as if the director wanted to get this sequel over with as quickly as possible. A fun film that lacks depth.

Sunday 20 November 2016

Lucy
(2014)

Caucasian Self-Love

Summary: Gibberish for those who think they have evolved beyond monkey-talk.

Caucasian fantasy about Whites being more evolved than everyone else; enabling them to commit murder at random while claiming to be more brainy than those they kill as an excuse for the killing.

An emotionally-retarded movie from an emotionally-retarded culture that uses far less than the 10% of its cerebral capacity claimed to be the White average here. Films allegedly about super-intelligent people - this stupid - are patently absurd and self-defeatingly revealing.

As the movie progresses, the central character becomes less and less human and more and more robotic; apparently justifying her lack of empathy for everyone else she meets. Whites clearly believe the mind and the emotions are in essential conflict, when this is only true for the emotionally repressed.

About as advanced as claiming that the ability to pat your head and rub your stomach, simultaneously, is a sign of mental superiority. A film written by Beavis & Butt-head for the Beavises & the Butt-heads of the world.

Sunday 13 November 2016

Entre les Murs


Also known as:
Class
Year:
2008
Country:
France…
Predominant Genre:
Drama
Director:
Laurent Cantet…
Best Performances:
Entire Cast…
Plot:
Teacher navigates a year with his racially-mixed students from a tough neighborhood.
Themes:
Personal change | Self-expression | Compassion | Totalitarianism | White supremacy | Ethical Politics
Similar To (in Plot, Theme or Style):
To Sir with Love
Review Format:
DVD

[Class]

Interesting dissection of Western issues of ethnicity, class, sex/gender and culture seen against the background of an inner-city school.

Here, compulsory education exists to control the poor that the White bourgeoisie fear – as a form of collective punishment for being different. This spills over into the condescending manner in which Person of Color and women of all cultures are treated.

Yet the children are not stupid and can see that their education provides them with little of value. They also know that the pedagogic institution within which they work possesses little real meaning to the way in which they live their lives. This is why education for most people is useless since it largely imparts bourgeois values they do not and cannot share, rather than actually being a means of self-improvement.

Thus, no matter how good the teachers are, the system is fatally flawed and the teachers are ultimately shown as having feet of clay precisely because of this. Not treating adolescents as potential adults provides them with little incentive to behave as such; necessitating the introduction of draconian disciplinary codes. These latter would not be needed if the education were neither compulsory nor teacher centred nor lacking in a proper balance between keeping order and education.

The conflict between the typical teenage desire for self-definition and the teachers’ ultimate desire for control is also well shown. The performers are precocious, spontaneous and natural; being the main reason to watch. They are all clearly defined characters in their own right and never give the impression that they are acting in a movie which, to the extent that they are appearing in a semi documentary, they are not.

Although exceptionally good at stating the problem in clear terms, this movie proposes no solutions.

Sunday 6 November 2016

Mary & Max

RATING: 80%
FORMAT: DVD

Aardman Animations finally has some competition from Down Under for stop-motion animation in the form of Adam ELLIOT.

The quirky humor is there; reflecting either a disturbed childhood or a culture-less culture. The humor is reminiscent of Dame Edna Everage, and it is - therefore - appropriate that Barry HUMPHRIES should be this film's narrator.

Brilliantly funny fun about loneliness, friendship, alcoholism, obesity, self-loathing, anxiety, ignored children and the sometime ease we have in opening up to complete strangers about our innermost desires, rather than the friends we say, or think, we have. As a depiction of mental illness, this is hard to beat, despite the tendency toward the very wishful-thinking solutions being critiqued.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.