Friday, 25 January 2013

Princess and the Frog
(2009)

RATING:80%
FORMAT:DVD

Judging by Appearances

Summary: Southern belle stands against racism of Disney.

Desperate to overcome its reputation as quintessentially White supremacist, Walt Disney Productions present a fairy tale with a Black heroine allied to a twist on what is supposed to happen when a White virgin kisses a frog.

Her White girlfriend is presented as a spoilt brat who believes in wishing on stars and frog princes, despite their skin pigmentation; a veritable parody of Vivien Leigh’s Oscar-winning Southern-belle roles in Gone with the Wind and Streetcar Named Desire.

Thematically, this states the obvious: People cannot be objectively judged solely by appearance, in its musical plot stolen from Blues Brothers. Moreover, the voodoo villain is straight out of Live and Let Die - and all the more effective for it.

Toe-tapping jazz (strongly reminiscent of the sixties’ Jungle Book), imaginative musical set-pieces and vivid characterization mark this out as a cut above the usual mediocrity of Disney’s more recent output - despite the lack of memorable song lyrics. An old-fashioned style animation (ie, without CGI) that reminds us of the glory days of a once great movie studio: A celebration of The Big Easy that makes the destruction of Hurricane Katrina (2005) diminish.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.