Friday, 4 January 2013

My Name Is Joe
[Mein Name ist Joe]
(1998)

RATING:80%
FORMAT:DVD



An insightful and subtle look at the world of drug addicts and alcoholics that’s as funny as it is sad. A world where there are no moral absolutes, such that middle-class criticisms of their lifestyles cease to be valid once you are witness the unpleasant reality of their situation. Their self-imposed exile from reality is easy to empathize with given the dour nature of a reality without work, hope or anything worthwhile to live for.

Ken Loach presents poor people as people and not as stereotypes. Blacks are also presented positively which, for a white film-maker, is unusual. This, indeed, is his main contribution to cinema: Visual naturalism coupled with psychological realism. Most drama is psychologically unrealistic because it is stereotypical rather than archetypal. Attempts are made to politically and culturally pigeonhole fictional characters to give vent to the political positions of the writers; while little is done to elucidate human nature, as such. In Loach’s work, the tail never wags the dog: Characters conform to archetypes and not our neurotic needs.

Loach directs in his usual social realist style and, by keeping his camera at a respectful distance from the actors, secures high quality and unforced performances from all concerned. As they appear, here, like the kind of unvarnished people one meets in real life, here they appear to wear no make up and seem not to be acting.


Copyright © 2013 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.