Wednesday, 21 May 2014

Leben der Anderen

Rating:
80%
Format:
DVD
Year:
2006
Predominant Genre:
Thriller
Plot:
Spying on the enemies of Socialism brings out paranoia and the bitter realisation that such politically-correct vindictiveness creates a lack of personal fulfilment.
Themes:
Personal change | Self-expression | Compassion | Totalitarianism | Political Correctness | Ethical Politics
Similar Titles:
1984 [Nineteen Eighty-Four] (1984)… Mephisto (1981)…
Best Performances:
Martina GEDECK… Ulrich MÜHE… Ulrich TUKUR… Thomas THIEME…

Lives of Others

Fascinating look at the extreme measures Whites take to protect their political theories from criticism. By labelling the critic as an enemy of the people, Whites hope to conceal the fact that the labellers are the real enemies.

The desire for anything that makes Whites look good to be true is so strong in White culture that Whites will even destroy their own private lives to ensure their politics is the only politics. Whites completely politicising their own private lives in this way, makes Communism and Capitalism both as completely intolerant of subversives as each. The former is more honest because legalised; the latter merely feigning tolerance while still condemning anyone who criticises Whites. The need to control the lives of those others who do not benefit from either both political system becomes solace for having renounced a personal life for politics. Indeed, marrying ones job is proof of loving politics more than life itself. As with political systems like White supremacy, adherence to Communist tenets is absolute or one is economically blacklisted - like an ex-convict with no criminal record.

One senses throughout that we are watching the Faust legend from the point of view of the devil. Buying souls requires the absence of this very thing on lucifer’s part; hence, his jealousy that many choose not to renounce theirs and thus retain their joy in living. As with Western Whites, these Eastern ones are so frustrated by having to keep up appearances that abuse becomes widespread - as in all White cultures; eg, alcoholism, fornication, drug-addiction, etc. Politics infects everything so that personal relationships are stillborn; State security claiming to benefit the happiness of Socialists merely inducing a weary resignation to systemic stagnation. A power-for-its-own-sake system simply increases the suicides of those citizens who see no reason to go on living in such a society.

The pettiness of officialdom and bureaucracy is well shown. Denouncing others for subversive activities is more to do with career-advancement than protecting Socialism from its enemies. It also serves the paranoiac purpose of imputing sedition to the body language of those one does not like personally. The physical and psychological drabness of life in a culture where saying what you think can get you locked up is also well to the fore.

Hard to see why Whites create such political systems when they never work in the long run since, like Apartheid, they require more expenditure of effort than any possible benefit they could provide. A culture discouraging individual initiative can only fail because all that is then left is benefiting from the destruction of others.

Despite the realistic storytelling style and the clear presentation of facts, the film’s only real failing is in not exploring the reasons for the existence of such White totalitarianism - despite repeated White claims of their political systems’ superiority. This negatively affects the characterisations, by gioving the actors less to express, despite the best efforts of the impressively-talented performers showcased here.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.