Wednesday 14 May 2014

Trafic

(1971)

RATING:100%
FORMAT:DVD

[Traffic]

The usual comic cleverness from Jacques TATI, this time focusing on a car-obsessed Western culture and all the male-oriented automobile gadgets that go with it. As you would expect from any movie starring Monsieur Hulot, the path taken by road traffic never runs smoothly and it is surprising no-one gets killed here given the number of written-off vehicles on display.

The basic joke is that we are more trapped in our cars than we are free to travel. More cars mean more traffic, not more freedom to travel; limiting the possibilities of cars in the way that automobile advertising never admits since such adverts only show cars on lonely roads to pretend that the traffic gridlock shown here is never an issue.

The sense of a technological civilization that ordinary mortals can no longer understand because of its sheer size and complexity informs the implicit longing here for a simple life. This is the common plight of all the great visual comics, among them Buster Keaton, Charlie Chaplin, Peter Sellers & Rowan Atkinson. That this life is never achieved is part of the frustration and explains why we empathize with such characters because of that frustration.

The last but not the least of the Hulot movies from a veritable genius.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.