Monday 26 May 2014

Flandres
(2006)


RATING:80%
FORMAT:DVD

[Flanders]

Interesting look at the White manner of waging war. Despite their self-proclaimed superiority; justifying the waging of aggressive - as opposed to defensive - wars, the bestial behavior is no different.

What is interesting here is that sexuality is shown as the root of the problems depicted. The rape of dark-skinned civilians mirrors the sexual behavior at home with girlfriends these soldiers do not respect and whom they use as little more than unpaid prostitutes. And an ethically-empty culture that can only take its failings and export them to an unwilling world.

Given that this is a French film and the French have largely stayed out of an any direct involvement in the so-called War on Terror, it is strange that they should have made such a perspicacious movie about it; albeit one elevated by universalizing the affects of war by refusing to name this particular conflict.

By using non-professional actors, there is a sincerity on screen that is refreshing in its implied intensity. Where this film goes wrong lies in it merely describing - albeit accurately - the situation depicted; but in never suggesting a way out for the characters - while the character-driven nature of the narrative threatens to overwhelm the all-important plot.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.