Wednesday, 10 December 2014

Stachka
[Strike]
(1924)

RATING:100%
FORMAT:DVD

Experimental, avant-garde piece of some brilliance representing the need for unity and solidarity among workers if they are to have any chance of success in achieving their reasonable claims regarding pay & conditions.

The genius of this movie lies in the ability to tell a serious, important, and profound story in a tight, muscular and economic manner. Divided into six parts, it is symphonic in structure; leading to a heady climax of satisfied ambitions and achieved goals. Unencumbered by diegetic dialogue, silent movies could be a more efficient and effective means of conveying stories with images & music since they are inevitably pared to the bone; removing any unnecessary and distracting matter. The visual metaphors and analogues simplify the narrative process and help us think through the issues presented with greater clarity.

There are no true characters here that we can become involved - only ideas presented emotionally. The film moves forward in its narrative aggressively and almost without a pause for breath. Even in the calmer, more elegiac, moments there is a sense of a coiled spring about to unload in a disciplined and non-chaotic way. The style veers from social realism - in the representation of workers - to abstraction - in the representation of bosses. The failure to present capitalists realistically is to be expected in Soviet cinema and marks this out more as clever propaganda than a realistic assessment of employment relations. Caricaturing your enemy, in this way, is the classic way to lose against them by the common error of underestimating them. Ones enemy is presented as a mere personification of an historical force rather than a person - the same stereotyping undertaken by the boss-class so represented. This latter hypocritical point partly explains the failure of Communism above which this film, aesthetically, stands head and shoulders.


Copyright © 2012 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.