Sunday, 21 December 2014

Conte de Noël


Also Known As:
Christmas Tale
Year:
2008
Country:
France…
Predominant Genre:
Comedy
Director:
Arnaud DESPLECHIN…
Outstanding Performances:
None
Premiss:
A troubled family is no stranger to illness, grief & banishment. But when their matriarch requires a bone-marrow transplant, the estranged clan reunites just in time for Christmas.
Themes:
Alienation | Destiny | Emotional repression | Family | Identity | Narcissism | Solipsism | White culture
Similar (in Plot, Theme or Style) to:
Unknown
Review Format:
DVD

Reasonably-clever black comedy of manners in which the current cream of French acting talent mostly express their emotions openly – often to camera – no matter who gets hurt.

A bone marrow transplant is used as a metaphor for the inter-relatedness of family but never rises – as a thematic trope – above the trite notion that blood is thicker than water.

The style of the film changes to match the emotions displayed and so is varied. Yet there is actual emotional self-indulgence here, especially as the result of the over-length and the lack of any real psychological depth. The only genuine hook onto which to hang ones interest is the fact that the movie is good at showing how women so often rule the domestic sphere; being shown as alternately self-deluded and wise – especially about men.

Despite all this, the wit carries the day and makes it at least watchable.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.