Sunday, 28 December 2014

Conseguenze dell’amore
[Consequences of Love]
(2004)

RATING:60%
FORMAT:DVD

Claiming to be about every man possessing a secret he cannot reveal. However, swap the words ‘will not’ for ‘cannot’, in the previous clause, and we are closer to the truth than this film dares to go.

Secrets keep us from true intimacy with others precisely because we fear giving away our secrets; ie, we fear closeness: Frightened of dying without first having experienced the fulfilment of love; yet fearing that very completion.

Alternating between a European art house sensibility and slick Hollywood visuals, like its characters, we oscillate between boredom and excitement: The stylistic flourishes keeping the audience awake between the slow parts. A schizophrenic film unable to decide its goals and successfully failing at being anything other than an unempathetic portrait of an unloved junkie; equating fear of love with death.

Copyright © 2013 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.
Posted by Frank TALKER™ at 11:18
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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.



Albert Camus… (1913-60), French-Algerian writer & philosopher. The Rebel: An Essay on Man in Revolt: New York: Vintage Books, (1984; page 182.)