Wednesday 26 January 2011

Partir
(2009)

RATING:80%
FORMAT:DVD

[Leaving]

Disturbing look at middle-class ennui and its often tragic circumstances. Here, the wife of an unmanly bourgeois goes off with the handyman not so much to find herself as a woman as to get away from her dull married existence. That she finds love for the first time in her life there can be no doubt, but her reckless middle-aged pursuit of it calls her sanity into question at the same time as you admire her for the consistency of that pursuit.

This torrid melodrama features that force of nature Kristin Scott THOMAS who makes the whole thing compelling and worthwhile. The male characters are a bit thin and archetypal but this is a film from a woman's perspective and so this problem can be somewhat overlooked.

What really makes this film scary is that the White bourgeoisie are so emotionally-repressed in their desire to seem more worthwhile as humans than the poor that they can effectively forget to grow up, so rabid is the social snobbery that it eventually becomes a substitute for maturity. This desire on the wife's part for a bit of rough is really a desire for genuine human contact denied her by her middle-class husband and by her own hang-ups. This is particularly telling in the sex scenes where one feels the wife is experiencing her body fully for the first time in her life. It is hardly surprising, therefore, that the bourgeois are so violent in their desire to judge others by birth circumstances since they then do not have to judge or see themselves as they really are - missing a vital human part. The anger, childishness and frustration here makes you wonder if the affluent could ever be trusted as childminders if you ever had them as neighbors.

This is a marriage from which the wife cannot escape because the husband wants an emotionally empty show-business relationship to impress his friends. His desperate attempts to imprison his wife prove he has no love for her and so we are left wondering what the true basis for the relationship was to begin with. This explains the high rates of divorce and adultery in the West but offers no solution to it.

Like Diary of a Mad Housewife, this movie offers little hope of escape from the gilded cage that is Western culture - except, as here, crime. That we all need one moment of amour fou in our lives to help us to grow up is well made here and helps account for our enjoyment of this drama.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



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