Tuesday 25 January 2011

Illusionniste
(2010)

RATING:100%
FORMAT:DVD

[Illusionist]

Cleverly-assembled homage both to Jacques Tati, in particular, and daughters, in general. The father here adopts many of the physical mannerisms of Tati while the young girl is animated in a far more fluid and graceful manner than any of the other characters. This is an oblique look at life that veers between realism and poetry as if to prove Forster's dictum: Only Connect!

The aching nostalgia of a past about to end, the decline of the music hall in Britain circa 1959, is carefully-balanced with the acceptance of this fact in order to successfully-avoid sentimentality. When the girl realizes that the eponymous illusionist is not capable of real magic she soon grows up into a pubescent young woman; engaging in a romance with a Sean Connery lookalike on the street of Edinburgh. Simultaneously, the father-figure realizes that he is no longer the most important male in her life: Both grow and mature.

There is nothing to dislike here and the movie wrings a genuine, unforced tear from the eye with simple effects and appropriately-slow pacing. Like Toy Story 3, this film concerns itself with true human relationships, not simply interactions – with pointed and deft characterization.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.