Wednesday, 5 January 2011

Frozen
(2010)

40%



Calling-card movie that shows the director can put a movie together but is unable to tell a convincing story using interesting characters. This one wastes a great opportunity for a character study with a narrative where we never learn anything much about the characters and, thus, never really identify with their plight.

The contrived plot, itself, lacks credibility and the acting - apart from Emma BELL - is lackluster. Half-hearted and somewhat unconvincing gore punctuates this rather flat drama to vainly distract us from its fatal thematic lack. Just like Open Water, this film is unable to involve either emotionally or intellectually as something like Jaws did with its hybrid of Moby Dick and An Enemy of the People.

Because there is little for us to root for here, except the pedestrian desire to know how things work out, the technical deficiency of never seeing the actors breath - despite the wintry setting - grates in a way that it never did in the somewhat better, but also similarly technically-challenged The Shining.


Copyright © 2011 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.