Monday, 9 March 2015

Wolf of Wall Street
(2013)


Also Known As:
Unknown
Year:
2013
Country:
United States…
Predominant Genre:
Comedy
Director:
Martin Scorsese…
Outstanding Performance:
Jean DUJARDIN…
Premiss:
The rise to wealth of a stock-broker: From living the high life to his fall involving crime, corruption and the federal government.
Themes:
Alienation | Destiny | Emotional repression | Identity | Justice | Loneliness | Loyalty | Materialism | Narcissism | Personal | Political | Self-expression | Sex | Sexism | Sexual Repression | Social class | Snobbery | Solipsism | Stereotyping | White culture | White guilt | White supremacy
Similar to:
Boiler Room (2000)… Citizen Kane (1941)… Clockwork Orange (1971)…
Review Format:
DVD

Money Makes You a Better Person

Extravagantly-funny movie about the kind of White greed that helped create the current global economic problems.

The usual White preoccupations with Sex & Drugs & Rock‘n’Roll are well to the fore here, as Whites try to escape the bounds of a reality they reject - particularly the nine-to-five rat-race. Behind the White façade of genetic superiority lies a cultural wasteland within which Whites seek oblivion from the guilt of knowing the truly-parasitic nature of their learned behaviors; revealing who they really are in the same way in which one of the characters desperately (played by Jonah HILL) tries to conceal his all-too-obvious homosexuality.

That stockbroking is something of a con-game in which only stockbrokers are likely to make any real money is rather obvious since they would never offer investment tips to their clients, if the tips were good - they would invest in the companies they recommend themselves and get rich that way. In reality, of course, stockbrokers make money from sales’ commissions which are not based on whether or not the stock market is bullish or bearish. Wall Street money is a fantasy, its salesmen crooked soldiers and its clients idiots, is as hilarious as it is accurate. There is a clear sense here that the movie is actually more of an expose of Hollywood than of Wall Street.

Getting rich by neither production nor creation is false wealth since stockbrokers then have to ensure their clients do not cash in on their earnings/winnings by buying more equity in the hope of getting even richer. But the wealth is only on paper until it is cashed - a cashing that can only negatively-impact on the stockbrokers wealth. Thus, a psychological battle surrounding paper wealth ensues in which paper wealth chases even more paper wealth until a stock or stocks fails; making such trades a form of legalized gambling.

It is this gambling aspect to this story that fully expresses the reality of the White American Dream. The land of opportunity turns out to be little more than a myth concerning the White arrogance and sense-of-entitlement that built America.

White emotional-repression alternates and conflicts with the need for emotional expression through sexual release that can only find pseudo-resolution in fiscal greed. The relationship between sex and money in the White world is well-shown here as sex is frequently with prostitutes and naked bodies are shown on beds covered in Dollar bills - income hidden from the IRS by being in cash. Sexual activity here is like going to the toilet: More of a need than a pleasure. And, in the end, as in A Clockwork Orange, the central character is never redeemed; making this a modern-day tragi-comedy.

DiCAPRIO still cannot act nor inhabit a character, yet this makes him a good fit for the superficial and materialistic anti-hero whose soul we never truly glimpse; leaving us with the realization that he does not really have one. The other actors do the best they can with a script that is more concerned with ideas expressed humorously than with actual people. Yet the film grips precisely because of the importance of those ideas to ordinary people - everywhere.

Getting rich quick was never this much fun.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.