Sunday, 29 March 2015

Freakonomics


Also Known As:
Unknown
Year:
2010
Country:
United States…
Predominant Genre:
Non-Fiction
Directors:
Heidi Ewing… Alex Gibney… Seth Gordon… Rachel Grady… Eugene Jarecki… Morgan Spurlock…
Outstanding Performances:
None
Premiss:
Collection of documentaries allegedly-exploring human nature through economics.
Themes:
Alienation | Emotional repression | Identity | Loneliness | Materialism | Narcissism | Personal | Political | Pornography | Republicanism | Science | Self-expression | Sex | Sexual Repression | Solipsism | Stereotyping | White culture | White guilt | White supremacy
Similar to:
Unknown
Review Format:
DVD

Witch Doctors ‘R’ Us

Summary: Caucasian intellectual lightweights punching above their weight.

As usual, Whites claim there is a secret side to everything and only they know what it is in their desperate bid to hold on to any sense of being world dominant: Welcome to the Twilight Zone. (It is also a rather desperate attempt at Economics imperialism to try and make economics appear more like a science than a philosophy by trying to hide its actually-political agenda.)

The claim that human behavior can be predicted if you know what someone’s incentives are is so simplistic that you kind of wonder if Whites love this kind of stuff because they are kind of stupid or because they are kind of intellectually-lazy. (Perhaps someone should write a book that says that beautiful women get more attention from men which, by the way, kind of proves that heterosexuality is normal!)

The claim that to understand something happening over time one needs to seek patterns is so obvious - given that existence is consistently-structured - that it beggars belief that anyone could believe that patterns do not exist and that there could be another means of determining reality. (That appearance can be used to hide a corrupt essence and actually encourage corruption if successful is similarly obvious.)

The only really convincing argument here is the rather smugly-put claim that legalizing abortion-on-demand in 1973 led to a strong correlation between that fact and the fact that 25 years later arrest rates across the US declined consistently - despite the fact that these figures are absolute totals, not per capita ones and that the removal of lead from gasoline could also be a contributory factor. Yet, since Whites believe Black people are criminal by nature, this would be an argument to force Black women to abort their unborn; suggesting its authors were KKK supporters - in principle, if not in fact.

Given that most economists study people’s economic behavior as if people were always rational actors, reacting to physical scarcity, Economics can never claim to be a hard science - like physics of chemistry. This movie tacitly admits this by being more of a sociological treatise than a look at the effect of economic incentives on people’s behavior. In truth, it is more of a book concerning Econometrics than Economics.

Is it really rocket science to claim there is a difference between correlation and causality? Just like Mein Kampf, Freakonomics is not a new way to look at the world, but an old White one in new clothes. Fantastic claims are made that are designed to blind one with science; hiding the hidden agenda the authors claim to lack: We know what’s what and you don’t - opinions masquerading as facts. A sad reflection on the value of college-tenured staff to their employers, given that they do not have to produce anything of any real or lasting value.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.