Wednesday, 4 March 2015

Passion


Also Known As:
Unknown
Year:
2012
Countries:
France… Germany… Spain… United Kingdom…
Predominant Genre:
Crime
Director:
Brian De Palma…
Outstanding Performances:
Karoline HERFURTH… Rachel McADAMS… Noomi RAPACE…
Premiss:
The rivalry between the manipulative boss of an advertising agency and her talented protégée escalates from stealing credit to public humiliation to murder.
Themes:
Alienation | Christianity | Courage | Destiny | Emotional repression | Justice | Loneliness | Materialism | Narcissism | Personal | Political | Sexual Repression | Solipsism | White culture
Similar to:
Devil Wears Prada (2006)… Working Girl (1988)…
Review Format:
DVD

Stabbing Each Other in the Back

Summary: Classy Female-Revenge Thriller.

White cynicism, fear & sense-of-entitlement writ large in one of this director’s more mature Hitchcock-style subjectivist thrillers - despite the somewhat-too-neat contrivances of the clever plot.

Here, the need for revenge is presented as a substitute for affection that such a need can never satisfy. As usual with Whites, the Personal is conflated with the Political with the result that neither kind of relationship is ever truly satisfied since here, quite literally, the central characters refuse to leave their personal problems outside the workplace. Lack of talent in Rachel McADAMS character does not prevent her from rising to the top by stealing the better business ideas of a subordinate; while claiming it is nothing Personal when it could not be anything else. Such confused and inappropriately-applied emotions lead one to the inevitable conclusion that such people have no really-satisfying home life; making this something of a critique of the professional successes and personal failures so common in Caucasian culture.

The Battling Bitches aspect of the drama is the most immediately appealing and compelling part of the drama - with the three female leads focusing our entire attention on their characters and their superb acting. Women are far more imaginative when it comes to the dish best served cold, and it would be hard to imagine such a satisfying drama if the antagonists were male.

In the end, the relationships that the emotionally-repressed engage in amount to no more than emotional blackmail; trying desperately to prize from the other person more than one already possesses in exchange for material success. All of the characters here are trapped in an internecine strife from which only the brave (or the foolhardy) can ever hope to escape, without first having something to escape to, without fear of losing their jobs, their friends or their families.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.