Tuesday, 10 March 2015

Angriest Man in Brooklyn


Also Known As:
Unknown
Year:
2013
Country:
United States…
Predominant Genre:
Comedy
Director:
Phil Alden Robinson…
Outstanding Performances:
James Earl JONES… Richard KIND… Melissa LEO…
Premiss:
Perpetually-angry man is informed he has 90 minutes to live and promptly sets out to reconcile with his family and friends in the time left.
Themes:
Alienation | Destiny | Emotional repression | Family | God | Grieving | Identity | Individualism | Love | Narcissism | Personal | Personal change | Political | Redemption | Self-expression | Society | Solipsism | The State | White culture
Similar to:
Field of Dreams (1989)…
Review Format:
DVD

Nurture versus Nature

Summary: Man realizes how important Family is when told he has a Brain Aneurysm.

Despite most of the characters being Jewish, this is something of a White Whiners film. A strong sense of White decline pervades in that the basic unit of Society (the Family), as such, is seen to let many of the characters down when they most need its support and help.

A culture abandoning the Family in favor of the cult of Individualism and the dubious comforts of the State, becomes unsatisfying to its adherents; producing the personal depression, psychological ennui and social malaise shown here. That such a weak Personal and Cultural hinterland is allowed to exist is testimony to the stupidity of Whites in their seeking a characterless and a soulless identity (the pretense of achieving the unknowableness of God) by pretending that families are less important than individuals - when they both need one other to fully nurture each other.

In this, of course, the film is an accurate description of a particular culture, but contains no real insight into the all-important question of “Why?” The White assumption is, of course, that all cultures should be like White culture - if not, then there is something wrong with those other cultures. This has the affect that Whites do not feel the need to change so that the decadence on show - the reversed Field of Dreams-like need to resolve family estrangements - here can only continue to get worse.

Despite some absurdly-plotted coincidences, the performances are generally fine, while the movie, itself, is often quite hilarious; making this a sincere, touching and heartfelt plea for acceptance of both self and others - as they are, not as one would like them to be.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.