- Also Known As:
- Unknown
- Year:
- 2009
- Country:
- Predominant Genre:
- Science-Fiction
- Director:
- Outstanding Performances:
- None
- Premiss:
- The last human male in the universe is hunted down by a hybrid race.
- Themes:
- Destiny | Emotional repression | Evolution | Humanity | Identity | Materialism | Narcissism | Political | Sexism | Sexual Repression | Solipsism | White culture | White supremacy
- Similar to:
- Review Format:
- DVD
The Failure of the White Imagination
Peculiar race war movie wherein humanity (ie, the c.20% possessing White skin) are in danger from the Nephilim race. No explanation is ever given as to what happened to the other 80% of humanity, nor do we ever get to understand the purpose of the war: Slavery, looting, ego-enhancement, etc?
Whites place themselves in the position of being the victims of a genocide; while not noticing the irony of them having already done this to other humans - in historical fact and, implicitly, in that this drama is so monocultural. (Scientifically, there is also in evidence the White supremacist delusion that the sperm of White geniuses will somehow produce more White geniuses.)
Ultimately, what kind of culture is being preserved here? Whites act as though they have no other reason to exist other than for the sake of existence; survival at all costs out of fear of death - rather than love of life. Why possess the virtues that make survival possible, yet not have the values that make survival worthwhile? A poser this movie could have addressed that would have at least made it intelligible.
Jay LAISNE does a reasonable impersonation of Harrison Ford as Han Solo. Despite being a decidedly-lackluster and self-regarding lover, he is amusing as the last homo sapien eligible for copulation with the remaining female “Class-A Breeders” necessary to populate Mars with human beings (the Earth having been destroyed).
The special effects are decent, but the story is as non-existent as the plot is derivative of Star Wars & Serenity. Poorly-written and weakly-characterized, this is a White teenage boy’s adventure that offers no substantive sense of who the creators are as people, nor who they think the audience might be - as people. As usual with Whites, there is only never-ending conflict here as a substitute for substantive drama - as if disharmony really were the only mental content of the White mind?
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