Monday, 2 March 2015

Humanity’s End


Also Known As:
Unknown
Year:
2009
Country:
United States…
Predominant Genre:
Science-Fiction
Director:
Neil JOHNSON…
Outstanding Performances:
None
Premiss:
The last human male in the universe is hunted down by a hybrid race.
Themes:
Destiny | Emotional repression | Evolution | Humanity | Identity | Materialism | Narcissism | Political | Sexism | Sexual Repression | Solipsism | White culture | White supremacy
Similar to:
Android (1982)… Blade Runner (1982)… Serenity (2005)… Star Wars Episode IV: A New Hope (1977)…
Review Format:
DVD

The Failure of the White Imagination

Summary: Bland space adventure.

Peculiar race war movie wherein humanity (ie, the c.20% possessing White skin) are in danger from the Nephilim race. No explanation is ever given as to what happened to the other 80% of humanity, nor do we ever get to understand the purpose of the war: Slavery, looting, ego-enhancement, etc?

Whites place themselves in the position of being the victims of a genocide; while not noticing the irony of them having already done this to other humans - in historical fact and, implicitly, in that this drama is so monocultural. (Scientifically, there is also in evidence the White supremacist delusion that the sperm of White geniuses will somehow produce more White geniuses.)

Ultimately, what kind of culture is being preserved here? Whites act as though they have no other reason to exist other than for the sake of existence; survival at all costs out of fear of death - rather than love of life. Why possess the virtues that make survival possible, yet not have the values that make survival worthwhile? A poser this movie could have addressed that would have at least made it intelligible.

Jay LAISNE does a reasonable impersonation of Harrison Ford as Han Solo. Despite being a decidedly-lackluster and self-regarding lover, he is amusing as the last homo sapien eligible for copulation with the remaining female “Class-A Breeders” necessary to populate Mars with human beings (the Earth having been destroyed).

The special effects are decent, but the story is as non-existent as the plot is derivative of Star Wars & Serenity. Poorly-written and weakly-characterized, this is a White teenage boy’s adventure that offers no substantive sense of who the creators are as people, nor who they think the audience might be - as people. As usual with Whites, there is only never-ending conflict here as a substitute for substantive drama - as if disharmony really were the only mental content of the White mind?

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.