Sunday, 9 November 2014

Changeling

Also Known As:
Unknown
Year:
2008
Country/ies:
US
Predominant Genre:
Mystery
Author(s)/Director(s):
Clint EASTWOOD
Outstanding Performance(s):
Angelina JOLIE
Premiss:
Grief-stricken mother takes on the police to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child.
Theme(s):
Alienation
Compassion
Destiny
Empathy
Grieving
Guilt
Humanity
Identity
Personal change
Political Correctness
Redemption
Self-expression
Sexism
Solipsism
White culture
White supremacy
Similar (in Plot, Theme or Style) to:
Unknown
Review Format:
DVD

Not up to the usually-high Clint EASTWOOD standard, yet containing an excellent performance from Angelina JOLIE.

This film cannot make up its mind whether it is about a miscarriage of natural justice or the hunt for a serial killer. This lack of focus distracts from what could have been a hymn in praise of this mother’s love and of motherly love as such. This leads to its containing a great many deletable scenes that should have been but, sadly, were not.

These structural problems reflect mediocre screenwriting skills springing from an inability to really understand, from first hand experience, a mother’s position in relation to a kidnapped child.

The other mystery the movie never clears up is why the Los Angeles’ political scene of the time (1928) had become so institutionally corrupt. Unlike Chinatown, we never get a sense of jaded people working within a jaded system to keep their jaded secrets. This lack of insight mars a movie that is more of a retelling of events than a full-on dramatization of them; whose actors, nevertheless, do their utmost to flesh out their weakly-written characters.


Copyright © 2014 Frank TALKER. Permission granted to reproduce and distribute this posting in any format; provided mention of the author’s Weblog (Esthetics) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.