Saturday, 8 November 2014

Big Sleep

Also Known As:
Unknown
Year:
1978
Country/ies:
UK
Predominant Genre:
Crime
Author(s)/Director(s):
Michael WINNER
Outstanding Performance(s):
Robert MITCHUM
James STEWART
Premiss:
A detective is asked by an elderly general to investigate an attempt at blackmail on one of his daughters.
Theme(s):
Alienation
Compassion
Destiny
Empathy
Friendship
Humanity
Identity
Loneliness
Loyalty
Mercy
Narcissism
Pornography
Solipsism
White culture
White guilt
Similar (in Plot, Theme or Style) to:
The Big Sleep (1946)
Review Format:
DVD

Surprisingly effective and efficiently transposed retelling of a deliciously complex Raymond Chandler plot to Merrie Olde England. (Strangely apt given that Chandler was partly raised in England and the detective here is named after murdered English playwright Christopher Marlowe.)

Amid the bobbies on the beat, red telephone boxes, uniformed nannies and village greens to satisfy the American audience’s touristic yearnings, this fine old-school entertainment captures Chandler’s mean streets very well.

This version of the story is greatly helped by a not a little bemused performance from a great Hollywood star: Robert MITCHUM. At least two decades too old to play the part yet few other stars could play it so brilliantly; easily dominating every scene – even when threatened with a gun. (When an actor appears in every scene and does not bore the audience, you can be sure it is because he possesses true star quality and can carry the film on his broad and charismatic shoulders.)

The one obvious problem this film never overcomes concerns the stellar cast of cameos distracting from the otherwise smooth plotting except the two all-too-brief appearances by another Hollywood legend: James STEWART. This slightly diffuses the focus of what is, in fact, a very tight script. (There are also far too many people carrying guns for a British setting, but the weapons are only little, so it is not all bad.)

Having said all that, this movie proves that so long as you are reasonably faithful to the Chandler original, it is possible for an often journeyman film director like Michael WINNER to make a silk purse from a potential sow’s ear.


Copyright © 2014 Frank TALKER. Permission granted to reproduce and distribute this posting in any format; provided mention of the author’s Weblog (Esthetics) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.