Friday 21 November 2014

Cinema Paradiso


Also Known As:
Nuovo Cinema Paradiso; Director’s Cut
Year:
1988
Countries:
France… Italy…
Predominant Genre:
Drama
Director:
Giuseppe Tornatore…
Outstanding Performances:
None
Premiss:
A filmmaker recalls his childhood, when he fell in love with the movies at his village’s theater and formed a deep friendship with the theater’s projectionist.
Themes:
Compassion
Empathy
Friendship
Humanity
Identity
Loyalty
Mankind
Nostalgia
Self-expression
White culture
Similar (in Plot, Theme or Style) to:
Unknown
Review Format:
DVD

Nostalgia Ain’t What It Used To Be

Indulges our desire for nostalgia while telling us we should never look back. Impossible, of course, since the future is very much predicated upon the past. And one cannot possibly possess one without the other.

A look at a lost love that is both literally a woman and metaphorically an elegy for a lost world of cinema before it lost its value in the 1960s; leaving us bereft with just a still-twitching corpse that rarely produces anything much of value above the never ending stream of sex, violence & swear words.

A film for people who like stories served-up through the medium of cinema with its possibilities for communal enjoyment that seem so foreign to us today.


Copyright © 2014 Frank TALKER. Permission granted to reproduce and distribute this posting in any format; provided mention of the author’s Weblog (Esthetics) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.