Saturday, 18 October 2014

Rabbit-Proof Fence

Also Known As:
Unknown
Year:
2002
Country:
Australia…
Predominant Genre:
Adventure
Director:
Phillip Noyce…
Outstanding Performance:
Kenneth BRANAGH…
Premiss:
In 1931, three aboriginal girls escape after being plucked from their homes to be trained as domestic staff and set off on a trek across the Outback.
Themes:
Alienation | Destiny | Identity | Loneliness | Loyalty | Narcissism | Personal change | Self-expression | Sexism | Sexual Repression | Snobbery | Solipsism | Stereotyping | White culture | White guilt | White supremacy
Similar (in Plot, Theme or Style) to:
Unknown
Review Format:
DVD

Black-Proof Fence

The past is used here to allegedly prove the present better. Yet, few White directors are willing to make films about present day racism - as if the problem has simply gone away. Because this movie needs to appeal to a White audience, it lacks the courage to analyse its own racism: The White race guilt is palpable.

Whites here fear dying out through miscegenation, yet are keen on inter racial sex! One of many paradoxes the film shies from. The sheer horror at the idea of “Black Blood” racially tainting Whites, motivates them to try and destroy Black family, culture and identity.

Kenneth BRANAGH is excellent: He actually seems to believe the racism he spouts; insidious because it is supposedly beneficial to its intended victims. The three children are completely believable – without their sterling work there would be no film.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.