Saturday 11 October 2014

Princess Bride


Also Known As:
Unknown
Year:
1987
Country:
United States…
Predominant Genre:
Comedy
Director:
Rob Reiner…
Outstanding Performances:
Mandy PATINKIN… Robin WRIGHT…
Premiss:
Classic fairy tale with swordplay, giants, an evil prince, a beautiful princess and kissing.
Themes:
Christianity | Compassion | Destiny | Friendship | Humanity | Identity | Loyalty | Narcissism | Personal change | Self-expression | Snobbery | Solipsism | Stereotyping | White culture
Similar (in Plot, Theme or Style) to:
Unknown
Review Format:
DVD

Rather lackluster fairy-tale parody with some excellent and very funny moments.

The problem is that there is no unifying theme for the actors to get their teeth into nor for the audience to commit to. The performers are all in different movies and this is clearly reflected in their performances. Without the Monty Python school of medievalism, there is little inherently funny about this film’s take on myth and legend and our need for story, as such, and ‘true love’ in particular.

Only the luminous Robin WRIGHT has any real understanding of how she should play her role of the tomboy who would be a princess. In this, she is ably supported by Mandy PATINKIN as the ambidextrous swordsman bent on revenge for the murder of his father twenty years before.

A half finished movie that is a very interesting disappointment.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.