Saturday, 4 October 2014

Archer - Series 3

Also Known As:
Unknown
Year:
2011-12
Country:
United States…
Predominant Genre:
Action
Director:
John Schlesinger…
Adam Reed
Outstanding Performance(s):
Aisha TYLER
Premiss:
At ISIS, an international spy agency, global crises are merely opportunities for its highly-trained employees to confuse, undermine, betray and royally screw each other.
Theme(s):
Alienation
Destiny
Emotional repression
Grieving
Guilt
Loneliness
Narcissism
Personal change
Political Correctness
Self-expression
Sexism
Sexual Repression
Solipsism
Stereotyping
White culture
White guilt
White supremacy
Similar (in Plot, Theme or Style) to:
OSS: 117
Review Format:
DVD

World’s Greatest Secret Agent

Amusing-but-lazy spy spoof that understands the White supremacy and Sexism inherent in the genre being mocked, but fails - in its unsophisticated way - to offer anything in its place other than its own White supremacy and Sexism.

Rather than create fully three-dimensional characters, stereotypes are used to laugh at stereotypes - as if Whites have no other method of communication and no other understanding of the world. Comedies about comedy have a very difficult time being funny because they are not about anything outside of their own esthetic limitations - anything in the real world of lived experience.

Neither the characters nor the writers possess any sense of whom they are except in terms of others. Others they clearly have neither respect nor liking for; hence, the lack of any actual comic exploration of the White need for stereotyping. Much of the political confusion here comes from the vapidity of White culture and its resultant inability to compare and contrast itself with others - without which it is difficult to understand both oneself and others. Without such understanding, there is nothing to be humorous about; hence, the odd unreality of the comedy here.

Eventually the joke repetition starts to annoy rather than to amuse, once the end of the series has been reached, and the usual White obsessions with evading meaning, passion and purpose stakes its claim on your declining interest. Moreover, there is a curious pride in the ignorance and fear-of-life on display here in this parody that is nowhere near as insightful, nor as funny, as OSS: 117. More proof that Political Correctness has successfully killed the White ability to be funny.


Copyright © 2014 Frank TALKER. Permission granted to reproduce and distribute this posting in any format; provided mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.