Thursday 30 October 2014

Ausgesperrten

Also Known As:
Wonderful, Wonderful Times
Year:
1980
Country:
Austria…
Predominant Genre:
Comedy
Drama
Author:
Elfriede Jelinek…
Outstanding Performances:
None.
Premiss:
The sins of the fathers are visited upon a new generation too disaffected to understand the source of its inarticulate rage.
Themes:
Alienation
Destiny
Emotional repression
Grieving
Identity
Loneliness
Narcissism
Political Correctness
Pornography
Self-expression
Sexism
Social class
Solipsism
Stereotyping
White culture
White guilt
White supremacy
Similar (in Plot, Theme or Style) to:
Clockwork Orange
Review Format:
Book

Although written in a difficult and allusive style, this is an excellent book about the present (2014) decline of White culture.

The novel focuses on four White cultural and psychological constants: Xenophobia, emotional repression, sexual perversion & living in the past. Although written in the third-person, the book gains power by revealing what Whites actually think when they behave badly. In this, the characterisation is superb.


Copyright © 2014 Frank TALKER. Permission granted to reproduce and distribute this posting in any format; provided mention of the author’s Weblog (Esthetics) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.