Thursday 6 March 2014

Filth

(2013)

RATING:80%
FORMAT:DVD

Sex & Drugs & Rock‘N’Roll

Clever movie - told largely in the First Person - about the knots White tie themselves up in by the games they play to conceal the fact that their achievements in life are largely the result of playing games with the lives of others.

As in A Clockwork Orange, those who enjoy the game-playing most are the winners of the game; having to pretend that there is no other way to live successfully by engaging in Projection & Displacement, guilt, need-instead-of-love and morbid sex-play.

The characterization is weak because the characters are deliberately paper-thin and mediocre. This leaves the actors to reveal this emptiness through the broad humor of an underwritten screenplay, the rapid pace of the editing and their high level of skill and ability. Funny - despite being more about style than substance - and deeply Black.

White culture is an interesting place to visit, but you would not want to live there. It is full of people unable to present themselves to others as they really are, so are unable to deal with the simplest, everyday aspects of life because they are so busy hiding themselves from themselves - and others. Like the culture portrayed, this movie is not self-reflexive enough to see itself as others do; so lacking an all-important dramatic perspective to make it great.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.