Monday 24 March 2014

Leopard

(1963)

RATING:100%
FORMAT:DVD

The More Things Change…

Fine film about a culture in transition necessarily going through a political revolution. The fact that the new aristocracy (the nouveau riche & parvenu middle-class) will be much the same as the old is subtly evoked in what is - essentially - a three-hour political essay.

The eponymous leopard is a man whose strength comes from accepting the fact of inevitable transformation (adapt or die) and from making the best of it. He does this despite the fact that the changes will not necessarily be all to his advantage or that of his family's. however, he knows that fighting the inevitability of change will not stop such adjustments from happening – in fact it makes them more unpleasantly likely - and is, therefore, a waste of time. After all, acknowledgement of any social upheaval is the only way to ensure that the more things change, the more they remain the same. In any case, here, after centuries of cousin marriage, the aristocratic gene pool is so depleted that an injection of new blood becomes all but essential to ensure its survival, as such.

Burt LANCASTER, Alain DELON and Claudia CARDINALE are their usual excellent selves and the film is certainly beautiful to look at but, perhaps, a tad too long for its own good.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.