Friday, 19 November 2010

Parapluies de Cherbourg
[Umbrellas of Cherbourg]
(1964)

RATING:100%
FORMAT:DVD

Summary: Passionate romance.

Amazing how such a slight and inconsequential story of infatuation could turn into such a profound meditation on the human condition and the desire to procreate, but here it is: A bone fide masterpiece.

The performances are all perfect and the continual music, by the gifted Michel Legrand, perfectly complements the emotional ups and downs of the fully-realized main characters.

The enchanted fairy-tale atmosphere and lucid colors are oddly-complemented by telling a realistic story (single motherhood & marrying-for-love or money); the familiar brilliantly-complementing the recitative delivery of the dialogue - rendered as if they were song lyrics. No-one here bursts into song since they are already singing throughout - unlike a conventional Hollywood musical.

The film reflects the fact that one cannot live in the past and yet we are constantly surrounded by things that remind us of the very thing we cannot live in. Here it is a daughter of one man being raised as if she were the daughter of another.

This is an exceptional example of a total film that never lets its grip of you relent until the very end - the kind of effect Baz Luhrmann failed to achieve in Moulin Rouge or Michael Powell (far more successfully) in The Red Shoes.

There is nothing here to dislike especially because of the realistic ending that is simultaneously sad and uplifting. A stunning example of the art cinema can be when it fulfills its own potential for greatness.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.