Friday, 5 November 2010

Ghost
[The Ghost Writer]
(2010)

RATING:40%
FORMAT:DVD

Lackluster thriller with an impressive cast that fails to ignite because the characters are so poorly drawn. It tries hard to be the typically-Hitchcockian suspenser of an ordinary man in a shady business in over his head. The war crimes of Tony BLAIR’s government in making the UK the 51st state of the Union makes for topical excitement, but lacks original political insight.

In truth, this is really about the director’s sense of isolation from a world where he is unable to visit countries like the United States to make a film there because he would almost certainly be arrested on arrival. Nevertheless, although the film is set in the US and performers seem desperate to come to Europe to appear in a Roman Polanski movie - no matter how brief their roles. Polanski is like the ex-UK prime minister shown here, bitter and resentful at a world that both loves and hates him; admires and loathes him. Not as good nor as subtle as The Special Relationship.


Copyright © 2010 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.