Wednesday, 10 June 2009

Cristo si è Fermato a Eboli
[Christ Stopped at Eboli]
(1979)

100%

An anti fascist intellectual is exiled to a remote village in Sicily during Mussolini's dictatorship. He meets friendly and prolix villagers whose profound wisdom and deep-seated humanity change his life forever and for the better; making for a hauntingly humanitarian and moving picture.

Like Patrick McGOOHAN in The Prisoner, the central character - Carlo Levi – faces paranoiac authorities that punish political prisoners on a precautionary basis – even those they only think oppose them.

The island of Sicily is presented as a beautiful gilded cage of a prison; making the title La Gabbia, perhaps a more fitting one. The peasants are largely apolitical and, so, strangely likeable - even to an avid politico like Levi. They like him for his warmth as a person and his ongoing sense of being right in the face of his persecutors.

Here are two Italys – Sicily and the mainland; the latter enslaving the former; the former engaging in endemic brigandage as its sole, desperate outlet. Dreams of escape to America, notwithstanding, Sicilians can neither stay nor leave – the homesickness is always too strong for that.

The never less than excellent Gian Maria VOLONTÉ – a political fighter himself in real life – probably had no difficulty identifying with the sense of conscience of the character he plays here.


Copyright © 2009 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.