Sunday, 21 June 2009

BILL BAILEY LIVE:
Cosmic Jam
(1997)

RATING:40%
FORMAT:DVD

A comedy fest that is not really all that funny. It is not actually about much at all and so never really touches upon the wellspring of all great humor: Fear.

There are jokes about jokes that lack content so much so that the form must suffice as the source of laughs. This is like a tv advert trying to tell us something important about our lived reality rather than simply trying to sell us goods and services!

BAILEY looks like he has taken too many non prescription medications in his lifetime to have really experienced anything else that he can more effectively satirize or parody. He is thus left with little else other than drug induced fantasies and hallucinations masking an inability to grow up. He is stuck in this rut because he is unable to get over his adolescence; making his performances undisciplined and self indulgent rather than genuinely surreal.

BAILEY's musical skills do not compensate for his comedic shortcomings since they also reveal a man with limited life experience outside the druggie subculture. He is no Victor BORGE and his occasional flashes of brilliance serve to emphasize his essential mediocrity while desperately feeding on (& off) it. Once he overcomes this self induced personal trance – he often seems drunk in performance - he may one day produce far superior material.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.