Tuesday, 26 May 2009

Visitor
(2008)

80%

An interesting cinematic response to current (2008) cultural globalization. The dead from the neck up old world meets the new and discovers a great deal about itself in the process. That migrants (& illegal ones at that) could teach natives a thing or two about humanity and spontaneity is the driver of this simple tale of cultures colliding. All of this is mediated through the universal language of music as well as through understated humor.

Although the phenotypical bonding is inherently contrived, this is to good effect. It allows for a drama that explores the pointlessness of immigration controls – especially when compared with the lack of similar curbs on the free movement of goods and capital – and their origin in White notions of cultural preservation from imagined external threats.

The acting is particularly fine and draws one in deeply to the drama of people looking either for something materially better or for something emotional they have lost and, perhaps, never had.


Copyright © 2009 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.