Tuesday, 26 May 2009

Guta-yubalja-deul
[Bloody Aria]
(2006)

40%

Oddly meandering movie about power games; concluding that those with the greatest political influence are those best able to get both ends of the political spectrum to play against the middle. Yet power shifts depending on whether or not you can get your enemies to fear you: Not whether or not you are actually powerful. Your power is thus largely in their minds only and can only be sustained by vain attempts to control their thoughts.

However, this is a study of bullying (& its corollary: Revenge) that lacks much insight. All it has to offer is the fact that sadists are really all masochists; needing to keep their victims alive for them to have someone to beat – and for someone to beat them, too. All this is expressed via a Theatre of Cruelty and a Grand Guignol sensibility that fails to properly engage such dramatic antecedents, primarily by merely playing at psychological cruelty and being afraid to present much gore.

None of this is helped by the fact that the characters are mere archetypes – albeit played with as much conviction as any decent actor could play them.


Copyright © 2009 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.