Sunday, 3 May 2009

Homme du Train
[Man on the Train]
(2002)

80%

Two men from opposites sides of the track meet by chance and come to see that they envy each other out of a mutual sense that their lives are ultimately unfulfilled. The criminal side fantasizes about living a quiet petit bourgeois life, while the petit bourgeois imagines himself committing crimes as they occur in the glamorous way of the movies. This critique of the ersatz glamour offered by movies shows just how dull and ordinary most people's lives truly are; hence, the need for the spurious excitement of vicarious experience.

Here, petty achievements base themselves on negatives like being a successful teacher because no child suffered molestation as a result. Yet, each offers the other what they cannot provide for themselves. And this is, in that sense, as true a human relationship as each could ever possibly hope for since they both define failure as someone who wishes he were somebody else.

Both characters lack the moral courage to make informed choices and then to face the consequences that are concomitant with choice – as such - and, thereby, become fully grown adults. Essentially a movie about getting old, loneliness and failure, it does not depress with its insights, humor and understatement.

Jean Rochefort is particularly excellent – as always - as the old man dreaming of being a cowboy. Trés drôle.


Copyright © 2009 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.