Sunday, 17 May 2009

Nordwand
[North Face]
(2008)

80%

Although very much a slow-starter, this film inevitably builds to a profoundly satisfying climax that packs a genuine emotional wallop.

The movie compares and contrasts the Nazi attitude to physical culture with those who are athletic because it lies in their nature. The mountaineering yearnings of the young are exploited by Nazi propagandists concerning the alleged superiority of Aryan youth while the racists also deal with being dismayed at the best mountaineers having little or no interest in politics. Instead, they do it for love: The story eventually reaches mythopoeic proportions as the woman whose lover scales the mountain attempts his rescue.

The performances are underplayed and so you really empathize with the solidly drawn characters in their extreme plight – albeit that they got themselves into it by choice. Moreover, the tension and the suspense will have you on the edge of your seat to the end with its nail biting conclusion suspended over the North Face of the Eiger.


Copyright © 2009 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.