Saturday, 23 May 2009

Kan shang qu hen mei
[Little Red Flowers]
(2005)

60%

Interesting but rather weak political allegory about the individual’s relationship to the collective. The most telling aspect of this whole affair is the relentlessly-anal character of the institutional schooling shown here. While this anality is fundamental to any understanding of collectivism, it lacks breadth and depth since endless shots of identically dressed children being poorly toilet-trained soon become tiresome.

Where this movie scores highly is in the high cuteness factor of the children involved and their complete naturalness in front of the camera. It gets children just right as to how they are and reminds us how surreal young minds can be in their thought processes. The sad-faced rebel - unable and unwilling to obey school rules – is a template for the political rebellions of adulthood. But his character fails to make this the If… or the Zero de Conduite it could so easily have been, because the rebellion here is rather more formalistic than truly meaningful. Moreover, the adults here come across as much more uniform than individual.


Copyright © 2009 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.