Thursday, 13 August 2015

Respiro


Crazy or just different?

Summary: A woman under the influence of her own zest for life encounters obstacles from her husband.

Tribal simplicity recorded in the life of an isolated fishing community - every nook and cranny roasted by the sun, as shirt-less packs of boys hunt and fight amid seaside ruins; piling trash into huge pyres on the beach for a religious celebration.

This small, sensual movie proffers a great deal of physical movement and light. Whimsical in being almost plotless; verging on the honesty of a dream. Sexuality is everywhere as an instinctive naturalness holds this society together.

Lust for life boils over in a young mother, Grazia (an excellent Valeria GOLINO, ably-supported by all-natural performers), propelling her beyond her social bounds - to the very great consternation of all.

After she literally sets the wild dogs loose, they want to send her away: Maybe she is manic-depressive. But she is Grace, the breath of life animating us all - she cannot be tamed.

They want her gone, so she leaves: Her older son finds a cave for her to hide in. Her husband believes she drowned and places a religious statuette at the bottom of the sea. The film then ends in a minor miracle - an image not to be forgotten.

Posted by Frank TALKER™ at 17:18
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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.



Albert Camus… (1913-60), French-Algerian writer & philosopher. The Rebel: An Essay on Man in Revolt: New York: Vintage Books, (1984; page 182.)