Friday, 21 August 2015

Pan Am


How Caucasians would like you to think of them

Summary: White supremacist propaganda.

The usual escapist, period-drama nonsense (for Whites) about how wonderful life was before Black people came along and ruined everything with their claim for the same civil rights Whites enjoyed. Period-drama takes us back in time and shows how little times have changed: Plus ça change - but not this dreck. It actually pretends that life was better then: Auld lang syne.

The reason plays written centuries ago (eg, Shakespeare & Sophocles) still enthrall today is precisely because the people are no different from those living today. But this drama does not understand this; pretending life was somehow different in the past - without a shred of evidence to back-up such a strange conviction. Truly a work of fiction-masquerading-as-reality, since Pan Am was a real corporation.

The White girls are good-looking but not very emotionally-warm or likable since they represent different facets of the same sexual stereotype: Pale & Interesting. For Whites, only the glamour from the past is real glamour and we are supposed to think the way the actresses look is more important than whom they are or whom they choose to have sex with.

Like all dramaturgical fluff, this touches on sexism, racism, art & history, by pretending modern White girls are not the product of White feminism, but of male desire; while never exploring these issues in order to avoid being labeled politically-incorrect - or just plain inept. Whites clearly wish to see themselves as presented in tv commercials - always-smiling, effortlessly-happy and terminally-bland.

That such drama is still made is testament to the vapidity and sheer failure of contemporary White culture - especially in its inability to create a viable economy or a sustainable psychological infrastructure that meets the demands of reality, head-on, rather than running away from them - as here.

A seriously-retarded & shocking waste of fine actresses like Christina RICCI & Karine VANASSE, as they struggle to create believable characters from such meager material.

Posted by Frank TALKER™ at 16:56
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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.



Albert Camus… (1913-60), French-Algerian writer & philosopher. The Rebel: An Essay on Man in Revolt: New York: Vintage Books, (1984; page 182.)