Sunday, 25 January 2015

Debut

Also Known As:
Unknown
Year:
2001
Country:
United States…
Predominant Genre:
Comedy
Director:
Gene Cajayon…
Outstanding Performance:
Tirso CRUZ III…
Premiss:
The long-simmering feud between Ben and his immigrant father threatens to boil over and ruin his sister’s 18th-birthday party.
Themes:
Alienation
Coming-of-age
Courage
Destiny
Emotional repression
Empathy
Ethnicity
Family
Friendship
Humanity
Identity
Loneliness
Loyalty
Mankind
Materialism
Narcissism
Personal change
Self-belief
Self-expression
Sexual Repression
Solipsism
Stereotyping
White culture
White guilt
White supremacy
Similar to:
Unknown
Review Format:
DVD

The Importance of Not Being White

Summary: Amusing & insightful comedy about the importance of embracing one’s cultural identity.

Insightful movie about a fundamental difference between White culture and everyone else’s. While Whites are happy to abandon the concept of culture in favor of racialized politics, everyone else knows that culture is always there to define you and to help you. And it never goes out of fashion for the sake of novelty - lest you become cut-off from your roots and lost as a person.

This explains why Whites have such difficulty accepting the validity of other cultures: Their existence holds-up a negative mirror to their lack of anything worthwhile to celebrate. Hence, their penchant for drunkenness, illegal-drug taking & sexual promiscuity, which Whites usually justify by claiming: “Work Hard; Play Hard”. It also explains why Whites will never accept anyone not literally and figuratively White precisely because White culture is immutably-based on only one thing: Skin color.

The Filipinos have no such qualms about others and, despite their young here being largely Americanized, they still revere their cultural roots - because they are what made them - yet, still accept outside influences from Hip-Hop to Flamenco and Line-Dancing. Despite the temptation to act White to obtain White acceptance, the fact is that such acceptance has never happened. An implied warning against spending more than 20% of ones time with Caucasians that does not wallow in White supremacy.

The characterization is good here - especially from Eddie GARCIA - with each representing different ethnic archetypes to good and telling effect. Where the film falls somewhat short (a good & a bad thing) is in electing not to delve too deeply into character motivation; preferring, instead, not to insult the audience’s intelligence and experience with overly-elaborate explanations that they would already understand.


Copyright © 2015 Frank TALKER.
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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.