Tuesday 6 January 2015

Cold Comfort Farm

Also Known As:
Unknown
Year:
1996
Country:
United Kingdom…
Predominant Genre:
Comedy
Director:
John Schlesinger…
Outstanding Performance:
Kate BECKINSALE…
Premiss:
Twenty-year-old Flora, recently orphaned and poor, goes to stay with distant relatives who are completely round the twist.
Themes:
Alienation
Coming-of-age
Compassion
Courage
Destiny
Emotional repression
Empathy
Family
Grieving
Guilt
Humanity
Identity
Loneliness
Mankind
Narcissism
Nostalgia
Personal change
Redemption
Self-belief
Self-expression
Social class
Solipsism
White culture
Similar (in Plot, Theme or Style) to:
Unknown
Review Format:
tv

Wildly improbable but rather good fun.

Earthy ontogeny-drama replete with dialogue and imagery of mating and fecundity.

The class issues are evaded to present a worldview that if one accepts one’s true vocation in life one can achieve it without too much effort.

The central issue here is that one must escape the prison of an obsession with the past that is a curse. Both the children and their parents have to grow up and are facilitated by a more worldly and sophisticated cousin.

To present this in an acceptably-dramatic way requires that the characters be presented as loveable eccentrics. This aim is well served by an excellent cast headed by Kate BECKINSALE.


Copyright © 2014 Frank TALKER.
Permission granted to reproduce & distribute this posting in any way, shape or form; provided mention of this Blog is included: E-mail notification requested.
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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.