Saturday, 10 January 2015

CSA: Confederate States of America


Also Known As/Subtitle:
Unknown
Year:
2004
Country:
United States…
Predominant Genre:
Comedy
Director:
Kevin Wilmott…
Outstanding Performances:
None
Premiss:
A satirically-humorous look at an America where the South won the Civil War.
Themes:
Alienation
Christianity
Compassion
Courage
Destiny
Empathy
Identity
Loneliness
Loyalty
Narcissism
Political Correctness
Self-belief
Self-expression
Solipsism
Stereotyping
White culture
White guilt
White supremacy
Similar (in Plot, Theme or Style) to:
Bamboozled
Review Format:
DVD

Without Blacks, Whites Don’t Know Who They Are

Clever movie that makes clear the White need of someone to feel superior toward before they can have any idea - albeit false - of whom they are or might be. Blacks are the emotional crutches of Whites - a dependency borne of the fear of growing up and standing on one’s own feet - and the fear that Blacks will no longer provide Whites with an identity Whites have not worked for.

The movie understands that White loyalty to the concept of White supremacy is the only loyalty that offers Whites the sense of belonging they crave while, simultaneously, only offering the illusion of economic superiority. Once machines are invented, there is much less need of slaves and inferiors (yet the habits of the illusion of Race are inbred in Whites); meaning White culture can never advance much economically because it refuses to face the economic advantages of equality by openly-admitting Whites were wrong to take the get-rich-quick shortcut of White supremacy. Such a humiliating admission would be the final nail in the coffin of the lie of White supremacy.

There can be no economic advantage in trying to make Blacks economically-dependent, since Blacks would then produce little and buy even less; making Whites poorer through having fewer paying customers. Yet, Whites favor this scorched-earth policy of destroying their own culture rather than sharing the world equally with Blacks. Whites conflate politics and economics with ideology, such that political correctness trumps economic common-sense and prosperity.

However, the film fails to offer any explanation as to why Whites decided to create a culture that deprives them of the possibility of personal happieness, where loyalty to an idea outshines all other loyalties - even personal ones.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.