Thursday, 8 January 2015

True Romance

Also Known As:
Unknown
Year:
1993
Countries:
France… United States…
Predominant Genre:
Crime
Director:
Tony Scott…
Outstanding Performance:
Christopher WALKEN…
Premiss:
Clarence marries hooker Alabama, steals cocaine from her pimp & tries to sell it, while the owners of the coke try to reclaim it.
Themes:
Alienation | Emotional repression | Ethnicity | Identity | Loneliness | Materialism | Narcissism | Personal change | Self-expression | Sexism | Solipsism | Stereotyping | White culture | White guilt | White supremacy
Similar (in Plot, Theme or Style) to:
Unknown
Review Format:
DVD

True Infatuation

Gleefully reminiscent of Roger Corman’s exploitation films, this is the usual self-indulgent film buffs’ movie from the unimaginative pen of Quentin Tarantino.

The characters are undifferentiated and use similar language as if born in the same neighborhood. Patricia ARQUETTE’s role is underwritten as the writer is a gynophobe – yet she does well despite this.

Only Blacks come across as real people – reversing the Hollywood norm – yet this genuinely-funny dialogue becomes repetitious. The kind of writing that attracts good actors who can make the words sound like poetry, but no more than a series of set-pieces rather than a coherent drama. Moreover, Christian SLATER, as the lead, lacks star presence.

Enjoyable nonsense, but there is no true love here - either between the central characters or for the audience’s intelligence.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.