Thursday 24 April 2014

Django Unchained

(2012)

RATING:60%
FORMAT:DVD



80%

Amusing and ironic satire on Institutional Racism and White supremacy that reveals the White tendency toward sado-masochism, as well as the belief that Blacks are incorrigibly worthless.

The characterization is weak, but Samuel JACKSON is particularly brilliant as the House Negro whose obsequiousness is as funny as it is self-hating. The plot is somewhat longwinded and, as usual with film director Quentin TARANTINO, refuses to keep a tight focus on the drama’s themes - like a researcher so caught-up in his research that he becomes obsessed with the See Also. Moreover, the style is so slick it adds nothing to the drama.

This film tests the limits of White understanding of race-relations’ since Whites can only ever really understand their White guilt from the inside and not the realistic world-view shared by Blacks that comes from not deluding themselves about the true nature of Whites and their culture. A kind of comedy version of Mandingo.


Copyright © 2014 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.