Wednesday 16 April 2014

Khuda Kay Liye

(2007)

RATING:60%
FORMAT:DVD

[In the Name of God]

This film is far too long and so undermines its very important premise!

It critiques the tail-wagging-the-dog policy of religious fundamentalists who believe exterior shows count for more than a religion practiced sincerely. It covers all the bases: Torture, lumping all Browns together as Muslim literalists, forced marriage, fundamentalist brainwashing of susceptible youth, White supremacy, etc. Yet only the final impassioned courtroom-speech offers any real dramatic and metaphysical meat to chew on amidst all the fat.

Identity politics are at the root of the political issues discussed here, but the fact that those without an identity based on achievements can so easily become fundamentalists - serial killers, terrorists, White supremacists, etc - is not fully explored as a theme in the nearly three-hours’ running time. Its heart is in the right place but its mind is elsewhere.

Naseeruddin SHAH is excellent - as always - and provides the necessary ballast to make the all-important points that the rest of the film strives to make. His exegesis of the true nature of Islam is as welcome as it is compelling. Unfortunately, he is only a guest star and cannot completely save the film from nearly scuttling itself with the sheer weight of its own pomposity.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.