Friday, 23 November 2012

Toki wo kakeru shojo
[Girl Who Leapt Through Time]
(2006)

RATING:60%
FORMAT:DVD

Despite the cleverness and technical sophistication on show, this is not much of a movie. The story is rather slight and the characterization fuzzy. It simply states that teenagers cannot wait to grow up yet yearn for the apparent certainties of childhood. This is not enough to sustain a feature-length movie and yet the visuals certainly are impressive. Moreover, the mood of the entire animation is surprisingly mature despite the one-note thematic content.

This is a time-travel movie trying to be as emotionally sophisticated as La Jetée or Twelve Monkeys but not being able to overcome its need to appeal to a less-than-sophisticated audience. Although it gets the mysterious magical powers that young women seem to have from men's point-of-view, it does not exploit them as fully as it might. The desire to go back and right an error made is a common one but here it is trivialised to allowing a boy one shunned to express his love.


Copyright © 2012 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

No comments:

Post a Comment

Contact Form:

Name

Email *

Message *

Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.