Tuesday 20 November 2012

First Blood
[RAMBO: First Blood]
(1982)

RATING:80%
FORMAT:DVD

White Frankensteins

Clever modern-day Western with a healthy dose of Frankenstein serving as an indictment of the deleterious psychiatric-effects of an un-winnable war on the survivors of the losing side.

Sylvester STALLONE is perfect in a largely wordless performance as the psychiatrically-disordered Vietnam War veteran whose difficulty with coming-to-terms with his tortuous experiences at the hands of Viet Minh provides this melodrama with its reason to be. All the performers are excellent, in fact, helped by a sagacious screenplay.

It is all a little contrived but very emotionally-affective for all that, as all the best Greek tragedy is because it synthesizes the issues into simple terms without ever resorting to emotionalistic oversimplifications.

The film focuses on the various degrees of failed manliness within a posse comitatus - and the inevitable conflict within this group - along with the near-impossibility of the hero readjusting to civilian life. Our loyalties are confused here in an interesting and ironic way because we support the police for dis-incentivising vagrancy while acknowledging that the vagrant here is the very product of the culture the police are sworn to protect. The real tragedy is that this tragedy needed to be told in the first place.


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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.