Thursday 15 November 2012

Argent
[Jazz-Bank]
(1928)

RATING:100%
FORMAT:DVD



The large, enclosed spaces of the décor here are stylized and the camera moves through this created space with great ease. One is constantly drawn-in to the world depicted and so feels very much a part of that world. As in a Bond film, the sets relate the massively-inflated egos of the villains and enhance the capitalist intrigue and rivalry on show. The casting exemplifies the nationalistic and class-based nature of such rivalries.

The link between sexual fetishization and economics is made here as lust for capital is seen to be identical with the possession of women’s bodies - not for sexual purposes, as such, but to turn the entire world into a collection of objects to be owned. As of capitalism itself were no more than this: A synonyme of the relations of patriarchy. Money, as always, is a good servant but a bad master.

Like any criticism of capitalism - implied or overt - this film has to contend with the fact that it is, itself, a product of the very system it seeks to critique. This movie presents speculative economic bubbles well and is ultimately about a director’s hatred of what he needs to make produce cinema: Money.

The female leads here are very strong. Brigitte HELM is a sinuous and undulating snake-hipped vamp; GLORY is the perfect ingénue Both excel in their feminine animality and emphasize the melodramatic plotting.


Copyright © 2012 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com/) is included: E-mail notification requested. All other rights reserved.

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Science:



No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


Humans & Aliens:



I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.