Thursday, 5 January 2012

Michael Jackson’s This Is It
(2009)

RATING:80%
FORMAT:DVD

Always an impressive performer with a high quality voice - both of which outshine the politically-naive lyrical content of Michael JACKSON's work. Like all the best singers, he never gives of his entire voice; appearing to be holding something back. However, this makes his work seem more full of content than it really is.

In this documentary, we are privy to behind-the-scenes preparations for the world tour that never was; coming up to eight days before JACKSON's death. Despite the inevitable problems with other people's holiday snaps, the boredom factor is largely eliminated and we witness a home movie made for the big screen. The whole piece is artfully edited - sometimes with parts of the same song, from different unfinished rehearsals - and we see JACKSON at work honing and exploring his craft. Although a little too long, it is fascinating to see the dazzling visual and musical effects he wanted to achieve.

We are ultimately left with the feeling that this is Michael JACKSON's Let It Be - a shambolic epitaph, but an immensely watchable one.


Copyright © 2012 Frank TALKER. Permission granted to reproduce and distribute it in any format; provided that mention of the author’s Weblog (http://franktalker5.blogspot.com) is included: E-mail notification requested. All other rights reserved.

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No science is immune to the infection of politics and the corruption of power.



Jacob Bronowski… (1908 - 74), British scientist, author. Encounter (London, July 1971).


Sleep of Reason:



The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.



Francisco José de Goya y Lucientes… (1746-1828), Spanish painter. Caption to Caprichos, number 43, a series of eighty etchings completed in 1798, satirical and grotesque in form.


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I am human and let nothing human be alien to me.



Terence… (circa 190-159 BC), Roman dramatist. Chremes, in The Self-Tormentor [Heauton Timorumenos], act 1, scene 1.


Führerprinzip:



One leader, one people, signifies one master and millions of slaves… There is no organ of conciliation or mediation interposed between the leader and the people, nothing in fact but the apparatus - in other words, the party - which is the emanation of the leader and the tool of his will to oppress. In this way the first and sole principle of this degraded form of mysticism is born, the Führerprinzip, which restores idolatry and a debased deity to the world of nihilism.